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The Oxford Handbook of dance and ethnicity /

edited by Anthony Shay and Barbara Sellers-Young.

Book Cover
Names: Shay, Anthony, | Sellers-Young, Barbara.
Published: Oxford ; New York : Oxford University Press, 2016.
Series: Oxford handbooks.
Topics: Dance - Anthropological aspects. | Dance - Social aspects. | Ethnicity. | Tanz. | Ethnizität. | Kulturelle Identität.
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035 |a(OCoLC)ocn913923640
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245 04|aThe Oxford Handbook of dance and ethnicity /|cedited by Anthony Shay and Barbara Sellers-Young.
264 1|aOxford ;|aNew York :|bOxford University Press,|c2016.
300 |axix, 743 pages ;|c26 cm.
336 |atext|btxt|2rdacontent
337 |aunmediated|bn|2rdamedia
338 |avolume|bnc|2rdacarrier
490 1 |a[Oxford handbooks]
504 |aIncludes bibliographical references and index.
505 0 |a"And I Make My Own": Class Performance, Black Urban Identity, and Depression-Era Harlem's Physical Culture / Christopher Wells -- "Do you want to see my hornpipe?": creativity and Irish step dance in the Work of Jean Butler and Colin Dunne. / Aoife McGrath -- Dancing Jews and Jewesses: Jewishness, Ethnicity, and Exoticism in American Dance. / Rebecca Rossen -- Queering Ethnicity and Shattering the Disco: Is There an Enduring Gay Ethnic Dance? / Darren Blaney -- Dancing Multiple Identities: Preserving and Revitalizing Dances of the Skolt Sámi. / Petri Hoppu -- To call dance Japanese: Nihon Buyô as ethnic dance / Leonard Pronko and Jonathan M. Hall-- Diasporic Ethnicity, Gender, and Dance: Muslim Macedonian Roma in New York / Carol Silverman -- 'An Interesting Experiment in Eugenics': Ted Shawn, American Dance, and the Discourses of Sex, Race, and Ethnicity. / Paul Scolieri -- Dancing angels and princesses: the Invention of an ideal female national dancer in 20th-Century Iran. / Ida Meftahi -- The Spectacularization of Soviet/Russian Folk Dance: Igor Moiseyev and the Invented Tradition of Staged Folk Dance. / Anthony Shay -- LADO, the State Ensemble of Croatian Folk Dances and Songs: Icon of Croatian Identity. / Anthony Shay -- Authenticity and Ethnicity: Folk Dance, Americanization and the Immigrant Body in the Early Twentieth Century. / Jessica Ray Herzogenrath -- A Folklorist's View of 'Folk' and 'Ethnic' Dance: Three Ukrainian Examples. / Andriy Nahachewsky -- The Jarabe Tapatío: Imagining Race, Nation, Class, and Gender in 1920s Mexico. / Gabriela Garcia-Mendoza -- Perception, Connections, and Performed Identities in American Ghanaian Dance Encounters. / Jennifer Fisher -- Orientalism and the American Belly Dancer: Multiplicity, Authenticity, Identity. / Andrea Deagon -- Black Erased: The Tango de Negros in Spain's Romantic Age. / Kathy M. Milazzo -- English-Canadian Ethnocentricity: The Case Study of Boris Volkoff at the 1936 Nazi Olympics. / Allana Lindgren -- La Meri: Purveyor of the Dancing Other. / Nancy Lee Ruyter -- Choreographing Interculturalism: International Dance Performance at the American Museum of Natural History, 1943-1952. / Rebekah Kowal -- 'Hot' Latin Dance: Ethnic Identity and Stereotype. / Juliet McMains -- From Salsa to Salzonte: Rhythmic Identities and Inventive Dance Identities and Inventive Dance Traditions in Ghana. / Christey Carwile -- Spectacle of Ethnicities: The San Francisco Ethnic Dance Festival. / Miriam Phillips -- Dancecapes of Dionysus: from Kali Vrisi (Northern Greece) to the Olympics / Christos Papacostas -- Ballet and Whiteness: Will Ballet Forever be the Kingdom of the Pale? / Jennifer Fisher -- Men and the Happiness Dance. / Barbara Sellers-Young -- From Powwow to Stomp Dance: Parallel Dance Traditions in Oklahoma. / Paula Conlon -- Beyond Colonization, Commodification and Reclamation: Hula and Hawaiian Identity. / Christine Emi Chan -- Crossing the Seas of Southeast Asia: Indigenous Diasporic Islam and Performances of Women's Igal. / Diyah Larasati -- San Miguel the Arcángel, Capitan of Many Troops: An Ethno-iconographic Study of Danza de Migueles. / Ana Patricia Farfán -- Black Dance After Race. / Thomas DeFrantzo.
520 |a"This compilation of 31 essays from scholars throughout the globe examines the relationship between ethnicity as a signifier of identity and the dances associated with an ethnic designation. As such, it incorporates the critiques of previous designations of dance as folk, classical, etc. in favor of a more nuanced and complex view of ethnicity as at the intersection of race, gender, nation and life style"--|cProvided by publisher.
650 0|aDance|xAnthropological aspects.
650 0|aDance|xSocial aspects.
650 0|aEthnicity.
650 7|aDance|xAnthropological aspects.|2fast|0(OCoLC)fst00887405
650 7|aDance|xSocial aspects.|2fast|0(OCoLC)fst00887466
650 7|aEthnicity.|2fast|0(OCoLC)fst00916034
650 7|aTanz.|0(DE-588)4059028-8|2gnd
650 7|aEthnizität.|0(DE-588)4220764-2|2gnd
650 7|aKulturelle Identität.|0(DE-588)4033542-2|2gnd
700 1 |aShay, Anthony,|d1936-
700 1 |aSellers-Young, Barbara.
830 0|aOxford handbooks.
938 |aBrodart|bBROD|n113348568
938 |aBaker and Taylor|bBTCP|nBK0017403950
938 |aErasmus Boekhandel|bERAA|nNTS0000211673
938 |aYBP Library Services|bYANK|n12529705
945 |aMaster record variable field(s) change: 505|b04/07/2017
945 |aMaster record variable field(s) change: 505, 700|b02/03/2017
945 |aLBD data change|b12/23/2016
994 |a92|bUIU

Staff View for: The Oxford Handbook of dance and ethnici