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Snapshot photography : the lives of images /

Catherine Zuromskis.

Book Cover
Author: Zuromskis, Catherine
Published: Cambridge, Massachusetts : The MIT Press, [2013]
Topics: Photography - Social aspects - United States. | Photographic criticism - United States. | Photographie. | Schnappschuss. | Fotografi - sociala aspekter. | Warhol, Andy - photographie. | Goldin, Nan - photographie.
Regions: United States. | Etats-Unis.
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020 |a9780262019293|q(hardcover : alk. paper)
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050 00|aTR183|b.Z87 2013
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100 1 |aZuromskis, Catherine,|d1971-|eauthor.
245 10|aSnapshot photography :|bthe lives of images /|cCatherine Zuromskis.
264 1|aCambridge, Massachusetts :|bThe MIT Press,|c[2013]
300 |aviii, 358 pages :|billustrations ;|c24 cm
336 |atext|btxt|2rdacontent
337 |aunmediated|bn|2rdamedia
338 |avolume|bnc|2rdacarrier
504 |aIncludes bibliographical references (pages 321-348) and index.
505 0 |aIntroduction: The social life of snapshot photography -- Intimate exposures -- Icons of intimacy and portraits of perversity -- "Ordinary pictures" in the Modern Art Museum -- Andy Warhol's snapshots: from the Factory to America -- Nan Goldin at the limits of photographic possibility -- Conclusion: Afterlife.
520 |aSnapshots capture everyday occasions. Taken by amateur photographers with simple point-and-shoot cameras, snapshots often commemorate something that is private and personal; yet they also reflect widely held cultural conventions. In this book, Catherine Zuromskis examines the development of a form of visual expression that is both public and private.
520 |a"Through a series of case studies, Zuromskis explores the social life of snapshot photography in the United States in the latter half of the twentieth century. She examines the treatment of snapshot photography in the 2002 film One Hour Photo and in the television crime drama Law and Order: Special Victims Unit; the growing interest of collectors and museum curators in 'vintage' snapshots; and the 'snapshot aesthetic' of Andy Warhol and Nan Goldin. She finds that Warhol's photographs of the Factory community and Goldin's intense and intimate photographs of friends and family use the conventions of the snapshot to celebrate an alternate version of 'family values.'"--Book jacket.
600 17|aWarhol, Andy|vphotographie.|2rero
600 17|aGoldin, Nan|vphotographie.|2rero
650 0|aPhotography|xSocial aspects|zUnited States.
650 0|aPhotographic criticism|zUnited States.
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650 7|aPhotography|xSocial aspects.|2fast|0(OCoLC)fst01061826
650 7|aPhotographie.|0(DE-588)4045895-7|2gnd
650 7|aSchnappschuss.|0(DE-588)4127422-2|2gnd
650 7|aFotografi|xsociala aspekter.|2sao
651 7|aUnited States.|2fast|0(OCoLC)fst01204155
651 7|aEtats-Unis.|2rero
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945 |aMaster record variable field(s) change: 505|b03/18/2016
945 |aMaster record variable field(s) change: 505|b05/22/2015
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Staff View for: Snapshot photography : the lives of imag