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Institutions and patronage in Renaissance music /

edited by Thomas Schmidt-Beste.

Book Cover
Names: Schmidt-Beste, Thomas.
Published: Farnham : Ashgate, 2012.
Series: Library of essays on Renaissance music.
Topics: Music patronage - Europe - History - 16th century. | Music patronage - Europe - History - 17th century. | Music patronage - Europe - History - To 1500. | Musik. | Mäzenatentum. | Renaissance.
Genres: Aufsatzsammlung.
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245 00|aInstitutions and patronage in Renaissance music /|cedited by Thomas Schmidt-Beste.
260 |aFarnham :|bAshgate,|c2012.
263 |a201201
300 |axxxix, 576 p. ;|c25 cm.
490 1 |aA library of essays on Renaissance music
505 00|tSystems of institutional and individual patronage.|tAnmerkungen zur Benefizialkarriere des Johannes Ockeghem /|rAdalbert Roth --|tThe education of choristers in England during the 16th century /|rJane Flynn --|tRenaissance women as patrons of the music : the North-Italian courts /|rWilliam F. Prizer --|tPatronage and innovation in instrumental music in the 15th century /|rKeith Polk --|tCourts and chapels.|tComposers at church and court in 15th-century Brussels /|rBarbara Haggh --|tThe internationalization of the Italian papal chapels in the early quattrocento /|rJohn Nadas --|tLa musica, la cappelle e il ceremoniale alla corte aragonese di Napoli /|rGianluca d'Agostino --|tRitual and regulations : the organization of the Castilian royal chapel during the reign of the Catholic monarchs /|rTess Knighton --|tDer "taegliche Dienst" der Muenchner Hofkapelle im 16 Jahrhundert /|rFranz Koerndle --|tMusic and patronage at the court of Rudolf II /|rRobert Lindell --|tChurches, orders, guilds, confraternities.|tChange and continuity in the Reformation period : church music in north German towns, 1500-1600 /|rJoachim Kremer --|tLe pratiche della musica nelle chiese e nelle confraternite di Roma nel cinquecento /|rNoel O'Regan --|tFar una bella procession : music and ceremony at the Venetian scuole grandi /|rJonathan E. Glixon --|tComposers.|tProtector, imo versus pater : Francesco Zabarella's patronage of Johannes Ciconia /|rAnne Hallmark --|tAfter Burgundy : rethinking Binchois' years in Soignies /|rSean Gallagher --|tZur sozialen Stellung europaeischer Renaissance-Musiker am Bespiel Orlando di Lassos /|rHorst Leuchtmann --|tSpaces.|tSpaces for court music /|rJose Manuel Barbeito --|tMagnificence as civic image : music and ceremonial space in early modern Venice /|rIain Fenlon.
520 |aThe practice and composition of music require patronage and institutional support, and they require it in a different fashion from that found in other forms of art. This collection of essays brings together the most recent and important contributions by leading scholars in the field to this crucial aspect of Renaissance musical culture. The articles approach the topic from a number of perspectives and consider the institutions and individuals engaged in supporting music; the systems of employment, benefices and sponsorship put in place to facilitate the support; and where, how and why music was sung and played. Taken together, these articles enable conclusions to be drawn about the interests of patrons and about the social and artistic status of musicians and composers within the courtly and urban context. - Publisher.
650 0|aMusic patronage|zEurope|xHistory|y16th century.
650 0|aMusic patronage|zEurope|xHistory|y17th century.
650 0|aMusic patronage|zEurope|xHistory|yTo 1500.
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650 07|aMäzenatentum.|0(DE-588c)4074442-5|2swd
650 07|aRenaissance.|0(DE-588c)4049450-0|2swd
655 4|aAufsatzsammlung.
700 1 |aSchmidt-Beste, Thomas.
830 0|aLibrary of essays on Renaissance music.
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Staff View for: Institutions and patronage in Renaissanc