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Wired for sound [electronic resource] : engineering and technologies in sonic cultures /

edited by Paul D. Greene and Thomas Porcello.

Book Cover
Names: Greene, Paul D. | Porcello, Thomas.
Published: Middletown, Conn. : Wesleyan University Press, 2005.
Series: Music/culture.
Topics: World music - History and criticism. | Sound - Recording and reproducing. | Ethnomusicology. | Musiques du monde - Histoire et critique. | Son - Enregistrement et reproduction. | Ethnomusicologie. | MUSIC - History & Criticism. | Technologie. | Muziek. | Etnomusicologie.
Genres: Electronic books. | Electronic books. | Criticism, interpretation, etc.
Online Access: E book Academic (EBSCO) Available to Current GSU Faculty, Staff and Students
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020 |a0819570621 (electronic bk.)
020 |z0819565164
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020 |z0819565172
020 |z9780819565174
035 |a(OCoLC)ocn730520025|z(OCoLC)847478726
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082 04|a780/.9/05|222
245 00|aWired for sound|h[electronic resource] :|bengineering and technologies in sonic cultures /|cedited by Paul D. Greene and Thomas Porcello.
260 |aMiddletown, Conn. :|bWesleyan University Press,|c2005.
300 |a1 online resource (viii, 288 pages) :|billustrations.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 1 |aMusic/culture
504 |aIncludes bibliographical references and index.
505 00|gIntroduction :|tWired sound and sonic cultures /|rPaul D. Greene --|tReaching "overseas" : South African sound engineers, technology, and tradition /|rLouise Meintjes -- "|tThe disc is not the avenue" : schismogenetic mimesis in samba recording /|rFrederick J. Moehn --|tNigel Pegrum, "didjeridu-friendly sections," and what constitutes an "indigenous" CD : an Australian case study of producing "world music" recordings /|rKarl Neuenfeldt --|tMusic mediated as live in Austin : sound, technology, and recording practice /|rThomas Porcello --|tMedia as social action : native American musicians in the recording studio /|rBeverley Diamond --|tEngineering techno-hybrid grooves in two Indonesian sound studios /|rJeremy Wallach --|tShort-circuiting perceptual systems : timbre in ambient and techno music /|rCornelia Fales --|t"Heaviness" in the perception of heavy metal guitar timbres : the match of perceptual and acoustic features over time /|rHarris M. Berger,|rCornelia Fales --|tMixed messages : unsettled cosmopolitanisms in Nepali pop /|rPaul D. Greene --|tThe soundscape of the radio : engineering Modern songs and superculture in Nepal /|rIngemar Grandin --|tMusic and the rise of radio in twenties America : technological imperialism, socialization, and the transformation of intimacy /|rTimothy D. Taylor.
588 0 |aPrint version record.
650 0|aWorld music|xHistory and criticism.
650 0|aSound|xRecording and reproducing.
650 0|aEthnomusicology.
650 6|aMusiques du monde|xHistoire et critique.
650 6|aSon|xEnregistrement et reproduction.
650 6|aEthnomusicologie.
650 7|aMUSIC|xHistory & Criticism.|2bisacsh
650 7|aEthnomusicology.|2fast|0(OCoLC)fst00916186
650 7|aSound|xRecording and reproducing.|2fast|0(OCoLC)fst01126957
650 7|aWorld music.|2fast|0(OCoLC)fst01181375
650 17|aTechnologie.|2gtt
650 17|aMuziek.|2gtt
650 17|aEtnomusicologie.|2gtt
655 4|aElectronic books.
655 7|aElectronic books.|2local
655 7|aCriticism, interpretation, etc.|2fast|0(OCoLC)fst01411635
700 1 |aGreene, Paul D.
700 1 |aPorcello, Thomas.
776 08|iPrint version:|tWired for sound.|dMiddletown, Conn. : Wesleyan University Press, 2005|z0819565164|w(DLC) 2004016021|w(OCoLC)55887535
830 0|aMusic/culture.
856 40|3E book Academic (EBSCO)|u|zAvailable to Current GSU Faculty, Staff and Students
938 |aebrary|bEBRY|nebr10477848
938 |aEBSCOhost|bEBSC|n370643
938 |aPublisher Row|bPUBR|n18250
938 |aYBP Library Services|bYANK|n6940551

Staff View for: Wired for sound : engineering and techno