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Almost Hollywood, nearly New Orleans : the lure of the local film economy /

Vicki Mayer.

Book Cover
Author: Mayer, Vicki
Vernacular: Early in the twenty-first century, Louisiana, one of the poorest states in the United States, redirected millions in tax dollars from the public coffers in an effort to become the top location site globally for the production of Hollywood films and television series. Why would lawmakers support such a policyWhy would citizens accept the polісуђ́ةs uncomfortable effects on their economy and cultureAlmost Hollywood, Nearly New Orleans addresses these questions through a study of the local and everyday experiences of the film economy in New Orleans, Louisianађ́ؤa city that has twice taken the mantle of becoming a movie production capital. From the silent era to todауђ́ةs Hollywood South, Vicki Mayer explains that the aura of a film economy is inseparable from a prevailing sense of home, even as it changes that place irrevocably.
Published: Oakland, California : University of California Press, [2017]
Topics: Motion picture industry - Louisiana - New Orleans. | Film, TV and radio. | History. | Humanities. | The arts. | PERFORMING ARTS - Film & Video - General.
Regions: Louisiana - New Orleans.
Genres: Electronic books.
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100 1 |aMayer, Vicki,|d1971-|eauthor.
245 10|aAlmost Hollywood, nearly New Orleans :|bthe lure of the local film economy /|cVicki Mayer.
264 1|aOakland, California :|bUniversity of California Press,|c[2017]
264 4|c©2017
300 |a1 online resource (xi, 147 pages) :|billustrations (some color), maps
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |adata file|2rda
504 |aIncludes bibliographical references and index.
505 0 |aPrologue : I'm just a film tax credit -- Introduction : presenting Hollywood South -- The making of regional film economies : why La. is not L.A. -- Hollywood South : structural to visceral reorganizations of space -- The place of Treme in the film economy : love and labor for Hollywood South -- (Almost a) conclusion -- Appendix : a guide to decoding film economy claims and press coverage.
520 |6880-01|a"Early in the twenty-first century, Louisiana, one of the poorest states in the United States, redirected millions in tax dollars from the public coffers to become the number one location site globally for the production of Hollywood films and television series. Why would lawmakers support such a policy? Why would citizens accept the policy's uncomfortable effects on their economy and culture? Almost Hollywood, Nearly New Orleans answers these questions through a study of the local and everyday experiences of the film economy in New Orleans, Louisiana--a city that has twice pursued the mantle of a movie production capital. From the silent era to Hollywood South, Vicki Mayer explains that the aura of a film economy is inseparable from a prevailing sense of home, even as it changes that place irrevocably"--Provided by publisher.
546 |aEnglish.
588 0 |aOnline resource; title from PDF title page (Luminos, viewed April 4, 2017).
650 0|aMotion picture industry|zLouisiana|zNew Orleans.
650 7|aFilm, TV and radio.|2bicssc
650 7|aHistory.|2bicssc
650 7|aHumanities.|2bicssc
650 7|aThe arts.|2bicssc
650 7|aPERFORMING ARTS|xFilm & Video|xGeneral.|2bisacsh
650 7|aMotion picture industry.|2fast|0(OCoLC)fst01027150
651 7|aLouisiana|zNew Orleans.|2fast|0(OCoLC)fst01204311
653 |anew orleans.
653 |alouisiana.
653 |arunaway film.
653 |afilm industries.
653 |ahollywood south.
653 |afilm economy.
653 |acreative economy.
653 |atax incentives.
653 |ahollywood.
655 0|aElectronic books.
776 08|iPrint version:|aMayer, Vicki, 1971-|tAlmost Hollywood, nearly New Orleans.|dOakland, California : University of California Press, [2017]|z9780520293816|w(DLC) 2016046883|w(OCoLC)960832727
793 0 |aBooks at JSTOR Open Access.
856 40|uhttps://www.jstor.org/stable/10.1525/j.ctt1pq344w|yConnect to eMaterial|z(Available to all)
880 |6520-01/(Q|aEarly in the twenty-first century, Louisiana, one of the poorest states in the United States, redirected millions in tax dollars from the public coffers in an effort to become the top location site globally for the production of Hollywood films and television series. Why would lawmakers support such a policyWhy would citizens accept the polісуђ́ةs uncomfortable effects on their economy and cultureAlmost Hollywood, Nearly New Orleans addresses these questions through a study of the local and everyday experiences of the film economy in New Orleans, Louisianађ́ؤa city that has twice taken the mantle of becoming a movie production capital. From the silent era to todауђ́ةs Hollywood South, Vicki Mayer explains that the aura of a film economy is inseparable from a prevailing sense of home, even as it changes that place irrevocably.
938 |aBiblioBoard|bBIBD|n65a5b579-2c6e-4fb3-9ef6-deb28d59b7db
938 |aOAPEN Foundation|bOPEN|n625334
938 |aProject MUSE|bMUSE|nmuse73003
945 |aJSTOR|bBooks at JSTOR Open Access
945 |aOCLC|bWorldCat Holdings
994 |a92|bILL

Staff View for: Almost Hollywood, nearly New Orleans : t