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Farocki/Godard : film as theory /

Volker Pantenburg.

Book Cover
Main Author: Pantenburg, Volker
Published: Amsterdam : Amsterdam University Press, [2015]
Series: Film culture in transition.
Schriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; v. 25.
Topics: Motion picture producers and directors. | Film theory and criticism. | Film, TV and radio. | Films, cinema. | The arts. | ART - General. | PERFORMING ARTS - Reference. | Filmästhetik | Bibel Philemonbrief | Farocki, Harun. | Godard, Jean-Luc, 1930- | Farocki, Harun 1944-2014 | Godard, Jean-Luc 1930-
Genres: Electronic books.
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100 1 |aPantenburg, Volker,|d1973-
240 10|aFilm als Theorie.|lEnglish
245 10|aFarocki/Godard :|bfilm as theory /|cVolker Pantenburg.
260 |aAmsterdam :|bAmsterdam University Press,|c[2015]
300 |a1 online resource
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 1 |aFilm culture in transition,|x2213-7041
490 1 |aIKKM books ;|vvolume 25
504 |aIncludes bibliographical references and index.
505 0 |aCover -- Contents -- Preface to the English Edition -- Introduction -- Two Image Researchers -- 1. Le film qui pense -- Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush-Film and Painting -- Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm-Notes on the Essay Film -- 4. Cut-Interlude in the Editing Room
505 8 |aWhat an Editing Room is: InterfaceMontage, toujours: JLG/JLG -- 5. Taking pictures-Photography and Film -- Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and the Inscription of War -- 6. Two or Three Ways of Speaking with the Hands -- Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Expressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion -- Bibliography -- Acknowledgments -- Illustration Credits -- Index of Film Titles -- Index of Names
520 |a"This book brings together two major filmmakers-French New Wave master Jean-Luc Godard and German avant-gardist Harun Farocki-to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create 'film as theory'"--Back cover.
546 |aEnglish.
588 0 |aPrint version record.
600 10|aFarocki, Harun.
600 10|aGodard, Jean-Luc,|d1930-
600 17|aFarocki, Harun.|2fast|0(OCoLC)fst00420780
600 17|aGodard, Jean-Luc,|d1930-|2fast|0(OCoLC)fst00035647
600 17|aFarocki, Harun|d1944-2014|2gnd
600 17|aGodard, Jean-Luc|d1930-|2gnd
630 07|aBibel|pPhilemonbrief|2gnd
650 0|aMotion picture producers and directors.
650 7|aFilm theory and criticism.|2bicssc
650 7|aFilm, TV and radio.|2bicssc
650 7|aFilms, cinema.|2bicssc
650 7|aThe arts.|2bicssc
650 7|aART|xGeneral.|2bisacsh
650 7|aPERFORMING ARTS|xReference.|2bisacsh
650 7|aMotion picture producers and directors.|2fast|0(OCoLC)fst01027225
650 7|aFilmästhetik|2gnd
655 0|aElectronic books.
793 0 |aBooks at JSTOR Open Access.
830 0|aFilm culture in transition.
830 0|aSchriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ;|vv. 25.
856 40|uhttps://www.jstor.org/stable/10.2307/j.ctt16d69tz|yConnect to eMaterial|z(Available to all)
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938 |aOAPEN Foundation|bOPEN|n611670
938 |aYBP Library Services|bYANK|n12546902
945 |aJSTOR|bBooks at JSTOR Open Access
945 |aOCLC|bWorldCat Holdings
994 |a92|bILL

Staff View for: Farocki/Godard : film as theory