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Perils of the night : a feminist study of nineteenth-century Gothic /

Eugenia C. DeLamotte.

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Main Author: DeLamotte, Eugenia C.
Published: New York : Oxford University Press, 1990.
Topics: English fiction - 19th century - History and criticism. | Gothic revival (Literature) - Great Britain. | Feminism and literature - English-speaking countries - History - 19th century. | Women and literature - English-speaking countries - History - 19th century. | American fiction - 19th century - History and criticism. | Gothic revival (Literature) - United States. | Feminist fiction - History and criticism. | Horror tales - History and criticism. | Gothic revival (Literature) | Feminism and literature. | Women and literature. | Brontë, Charlotte, 1816-1855 - Criticism and interpretation.
Regions: English-speaking countries. | Great Britain. | United States.
Genres: Criticism, interpretation, etc. | History. | Gothic revival (Literature)
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100 1 |aDeLamotte, Eugenia C.
245 10|aPerils of the night :|ba feminist study of nineteenth-century Gothic /|cEugenia C. DeLamotte.
260 |aNew York :|bOxford University Press,|c1990.
300 |aix, 352 pages ;|c22 cm
336 |atext|btxt|2rdacontent
337 |aunmediated|bn|2rdamedia
338 |avolume|bnc|2rdacarrier
504 |aIncludes bibliographical references (pages 323-340) and index.
505 00|gI.|tBoundaries of the self as a Gothic theme:|gIntroduction:|tThe genre, the canon, and the myth ;|g1.|tSelf-defense in the Gothic tradition : Radcliffe, Brockden Brown, Henry James ;|g2.|tThe mystery of knowledge : Frankenstein, Melmoth, Pierre ;|g3.|t"Deadly iteration" : Hawthorne's Gothic vision ;|g4.|tBoundaries of the self as romantic theme : Emily Brontë --|gII.|tBoundaries of the self in women's Gothic:|g5.|tSpeaking "I" and the Gothic nightmare : boundaries of the self as a woman's theme;|g6.|tGothic romance and women's reality in Jane Eyre ;|g7.|tVillette : demystifying women's Gothic.
506 |aOnline version licensed for access by U. of T. users.
520 |aThis book argues that the source of Gothic terror is anxiety about the boundaries of the self: a double fear of separateness and unity that has had a special significance for women writers and readers. Exploring the psychological, religious, and epistemological context of this anxiety, DeLamotte argues that the Gothic vision focuses simultaneously on the private demons of the psyche and the social realities that helped to shape them. Her analysis includes works of English and American authors, among them Henry James, Mary Shelley, Herman Melville, Nathaniel Hawthorne, Emily Bronte, Charlotte Bronte, and a number of often neglected popular women Gothicists.
583 |acommitment to retain|c20151208|2pda|5OTUTLD
600 10|aBrontë, Charlotte,|d1816-1855|xCriticism and interpretation.
600 17|aBrontë, Charlotte,|d1816-1855.|2fast|0(OCoLC)fst00035263
648 7|a1800-1899|2fast
650 0|aEnglish fiction|y19th century|xHistory and criticism.
650 0|aGothic revival (Literature)|zGreat Britain.
650 0|aFeminism and literature|zEnglish-speaking countries|xHistory|y19th century.
650 0|aWomen and literature|zEnglish-speaking countries|xHistory|y19th century.
650 0|aAmerican fiction|y19th century|xHistory and criticism.
650 0|aGothic revival (Literature)|zUnited States.
650 0|aFeminist fiction|xHistory and criticism.
650 0|aHorror tales|xHistory and criticism.
650 1|aGothic revival (Literature)
650 2|aFeminism and literature.
650 3|aWomen and literature.
650 7|aAmerican fiction.|2fast|0(OCoLC)fst00807048
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650 7|aWomen and literature.|2fast|0(OCoLC)fst01177093
651 7|aEnglish-speaking countries.|2fast|0(OCoLC)fst01261775
651 7|aGreat Britain.|2fast|0(OCoLC)fst01204623
651 7|aUnited States.|2fast|0(OCoLC)fst01204155
653 |aEnglish fiction|aGothic novels
655 7|aCriticism, interpretation, etc.|2fast|0(OCoLC)fst01411635
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655 7|aGothic revival (Literature)|2lcgft
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