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Making sense of cinema : empirical studies into film spectators and spectatorship /

edited by CarrieLynn D. Reinhard, Christopher J. Olson.

Book Cover
Names: Reinhard, CarrieLynn D. | Olson, Christopher J.,
Published: New York : Bloomsbury Academic, 2016.
Topics: Motion picture audiences - Research - Methodology. | PERFORMING ARTS / Film & Video / General.
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001 16379872
005 20160915201530.0
008 160715s2016 nyua b 001 0 eng
010 |a 2015028704
019 |a908262541|a908373584
020 |a9781501302947 (hardback)
020 |a1501302949 (hardback)
020 |z9781501302961
020 |z9781501302954
020 |z1501302965
020 |z1501302957
024 8 |a40025813782
035 |a(OCoLC)ocn915135932
035 |a(DOMdb)246065
040 |aDLC|beng|erda|cDLC|dSTF|dBDX|dYDXCP|dBTCTA|dCDX|dIUL|dYUS|dDOMdb
042 |apcc
049 |aIBEA
050 00|aPN1995.9.A8|bM275 2016
082 00|a302.23/43|223
084 |aPER004000|2bisacsh
245 00|aMaking sense of cinema :|bempirical studies into film spectators and spectatorship /|cedited by CarrieLynn D. Reinhard, Christopher J. Olson.
264 1|aNew York :|bBloomsbury Academic,|c2016.
300 |axv, 297 pages :|billustrations ;|c24 cm
336 |atext|2rdacontent
337 |aunmediated|2rdamedia
338 |avolume|2rdacarrier
504 |aIncludes bibliographical references and index.
505 00|g1.|tIntroduction: Empirical Approaches to Film Spectators and Spectatorship /|rCarrieLynn D. Reinhard and Christopher J. Olson --|g2.|tSpectatorship in Public Space: The Moving Image in Public Art /|rAnnie Dell'Aria --|g3.|tThe Festival Collective: Cult Audiences and Asian Extreme Cinema /|rJessica Hughes --|g4.|t: Transnational Investments: Aging in Les Invisibles (Sébastien Lifshitz, 2012) and its Reception /|rDarren Waldron --|g5.|tPreferred Readings and Dissociative Appropriations: Group Discussions Following and Challenging the Tradition of Cultural Studies /|rAlexander Geimer --|g6/|t"Legolas, He's Cool ... and He's Hot!": The Meanings and Implications of Audiences' Favorite Characters /|rMartin Barker --|g7.|tIn Search of the Child Spectator in the Late Silent Era /|rAmanda C. Fleming --|g8.|tSeeing, Sensing Sound: Eye-Tracking Soundscapes in Saving Private Ryan and Monsters, Inc. /|rAndrea Russell, Sean Redmond, Jenny Robinson, Jane Stadler, Darrin Verhagen and Sarah Pink --|g9.|tSeeing Animated Worlds: Eye Tracking and the Spectator's Experience of Narrative /|rCraig Batty, Adrian Dyer, Claire Perkins and Jodi Sita --|g10.|tFocalization, Attachment on Film Viewers' Responses to Film Characters: Experimental Design with Qualitative Data Collection /|rKatalin Bálint and András Bálint Kovács --|g11.|tMaking Sense of the American Superhero Film: Experiences of Engagement and Detachment /|rCarrieLynn D. Reinhard --|g12.|tIndexing the Events of an Art Film by Audiences with Different Viewing Backgrounds /|rSermin Ildirar --|g13.|tExploring the Role of Narrative Contextualizationin Film Interpretation: Issues and Challenges for Eye-Tracking Methodology /|rThorsten Kluss, John Bateman, Heinz-Oeter Preusser and Kerstin Schill --|g14.|tConclusion: A Metholodigcal Toolbos for Film Reception Studies /|rChristopher J. Olson.
520 |a"Explores a variety of theological and methodological approaches to film spectatorship through a dialogue of international contributions"--|cProvided by publisher.
650 0|aMotion picture audiences|xResearch|xMethodology.
650 7|aPERFORMING ARTS / Film & Video / General.|2bisacsh
700 1 |aReinhard, CarrieLynn D.|eeditor.
700 1 |aOlson, Christopher J.,|eeditor.
856 42|3Cover image|u

Staff View for: Making sense of cinema : empirical studi