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Constructing African art histories for the Lagoons of Côte d'Ivoire /

Monica Blackmun Visonà.

Book Cover
Main Author: Visonà, Monica Blackmun
Published: Surrey, UK, England ; Ashgate, 2010.
Topics: Art, African - Historiography. | Art, Lagoon - Historiography. | Kunst. | Kunstgeschichtsschreibung. | Akan. | Art africain - Historiographie ancienne. | Art akan. | Akan (peuple d'Afrique) | Akan (peuple d'Afrique) - Culture matérielle. | Art - Cote d'Ivoire.
Regions: Elfenbeinküste.
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000 03285cam a2200505 a 4500
001 11729152
005 20160819200534.0
008 091223s2010 enka b 001 0 eng
010 |a 2009053196
015 |aGBB042881|2bnb
016 7 |a015516073|2Uk
020 |a9781409404408|q(hardcover ;|qalk. paper)
020 |a1409404404|q(hardcover ;|qalk. paper)
035 |a(OCoLC)ocn495616853
035 |a(SICdb)2210877
040 |aDLC|beng|cDLC|dYDX|dYDXCP|dUKM|dERASA|dCDX|dBWX|dVVC|dUKMGB|dGZM|dZWZ|dNYWWB|dCHVBK|dCWR|dOCLCQ|dSICdb
042 |apcc
043 |af-iv---
049 |aSOII
050 00|aN7391.65|b.V58 2010
082 00|a709.6668|222
100 1 |aVisonà, Monica Blackmun,|d1953-
245 10|aConstructing African art histories for the Lagoons of Côte d'Ivoire /|cMonica Blackmun Visonà.
260 |aSurrey, UK, England ;|aBurlington, VT :|bAshgate,|c2010.
300 |axiii, 201 pages :|billustrations ;|c24 cm
336 |atext|btxt|2rdacontent
337 |aunmediated|bn|2rdamedia
338 |avolume|bnc|2rdacarrier
504 |aIncludes bibliographical references (pages 181-193) and index.
505 0 |aArt history in the lagoons of Côte d'Ivoire -- Encountering art in the lagoons: disciplinary approaches -- Investigating lagoon art: research methodology -- Art, religious belief, and healing -- Arts of leadership and arts of prestige -- Age-set festivals as performance art -- Lagoon artists in a global context.
520 |aConstructing African Art Histories for the Lagoons of C(te d'Ivoire is an investigation of the methods employed by art historians who study creative production in Africa. While providing insights into the rich visual arts of the Lagoon Peoples of southeastern ate d'Ivoire, this study is one of the few attempts by an Africanist to situate local and regional artistic practices in the context of the global art market, and to trace the varied receptions an African art work is given as it leaves a local context and enters an international one.
520 |aDrawing on her three seasons of fieldwork among Akan populations in C(te d'Ivoire, Monica Blackmun Visona provides a comprehensive account of a major art-producing region of Africa, and explores such topics as gender roles in performance, the role of sculpture in divination, and the interchange of arts and ideas across ethnic boundaries. The book also addresses issues inherent in research practices, such as connoisseurship and participant observation, and examines theoretical positions that have had an impact on the discipline of African art history. --Book Jacket.
650 0|aArt, African|xHistoriography.
650 0|aArt, Lagoon|xHistoriography.
650 7|aKunst.|0(DE-588)4114333-4|2gnd
650 7|aKunstgeschichtsschreibung.|0(DE-588)4033643-8|2gnd
650 7|aAkan.|0(DE-588)4000894-0|2gnd
650 7|aArt africain|xHistoriographie ancienne.|2ram
650 7|aArt akan.|2ram
650 7|aAkan (peuple d'Afrique)|2ram
650 7|aAkan (peuple d'Afrique)|xCulture matérielle.|2ram
650 7|aArt|xCote d'Ivoire.|2ram
651 7|aElfenbeinküste.|0(DE-588)4014426-4|2gnd
856 42|3Book review (H-Net)|uhttp://www.h-net.org/reviews/showrev.php?id=32633
994 |aC0|bSOI

Staff View for: Constructing African art histories for t