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Cultural codes : makings of a Black music philosophy : an interpretive history from spirituals to hip hop /

William C. Banfield.

Book Cover
Author: Banfield, William C.
Published: Lanham : Scarecrow Press, 2010.
Series: African American cultural theory and heritage.
Topics: African Americans - Music - History and criticism. | Popular music - United States - History and criticism. | MUSIC - Ethnomusicology. | Muziekfilosofie. | Muziek. | Zwarten. | Musik | Fine Arts. | United States. | African Americans. | History and criticism. | Music. | Popular music.
Regions: United States. | Schwarze. | USA.
Genres: Criticism, interpretation, etc. | Electronic books.
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100 1 |aBanfield, William C.,|d1961-|eauthor.
245 10|aCultural codes :|bmakings of a Black music philosophy : an interpretive history from spirituals to hip hop /|cWilliam C. Banfield.
264 1|aLanham :|bScarecrow Press,|c2010.
264 4|c©2010
300 |a1 online resource (xi, 220 pages, 22 unnumbered pages of plates) :|billustrations, portraits.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
490 1 |aAfrican American cultural theory and heritage
504 |aIncludes bibliographical references and index.
505 0 |aBlack notes and cultural codes : makings of a Black music philosophy -- A new Black music arts aesthetic -- A history of aesthetic definitions -- Hip to the hop -- A cultural education -- Black music studies -- African roots to blues, New Orleans, and ragtime -- Jazz : the new modern mode of being -- Race records, gospel, R & B, and urban blues -- Urban contemporary : soul, funk, and global -- Hip hop : connecting the dots -- Core values and the Black aesthetic code.
520 1 |a"No art can survive without an understanding of, and dedication to, the values envisioned by its creators. No culture over time has existed without a belief system to sustain its survival. Black music is no different. In Cultural Codes: Makings of a Black Music Philosophy, William C. Banfield engages the reader in a conversation about the aesthetics and meanings that inform this critical component of our social consciousness." "By providing a focused examination of the historical development of Black music artistry, Banfield formulates a useable philosophy tied to how such music is made, shaped, and functions. In so doing, he explores Black music culture from three angles: history, education, and the creative work of the musicians who have moved the art forward. In addition to tracing Black music from its African roots to its various contemporary expressions, including jazz, soul, R & B, funk, and hip hop, Banfield profiles some of the most important musicians over the last century: W.C. Handy, Scott Joplin, Louis Armstrong, Duke Ellington, Count Basie, Mary Lou Williams, John Coltrane, James Brown, Jimi Hendrix, and Stevie Wonder, among others. Cultural Codes provides an educational and philosophical framework for students and scholars interested in the traditions, the development, the innovators, and the relevance of Black music."--Jacket.
588 0 |aPrint version record.
650 0|aAfrican Americans|xMusic|xHistory and criticism.
650 0|aPopular music|zUnited States|xHistory and criticism.
650 7|aMUSIC|xEthnomusicology.|2bisacsh
650 7|aAfrican Americans|xMusic.|2fast|0(OCoLC)fst00799648
650 7|aPopular music.|2fast|0(OCoLC)fst01071422
650 17|aMuziekfilosofie.|2gtt
650 17|aMuziek.|2gtt
650 17|aZwarten.|2gtt
650 7|aMusik|2gnd
650 4|aFine Arts.
650 4|aUnited States.
650 4|aAfrican Americans.
650 4|aHistory and criticism.
650 4|aMusic.
650 4|aPopular music.
651 7|aUnited States.|2fast|0(OCoLC)fst01204155
651 7|aSchwarze.|2swd
651 7|aUSA.|2swd
655 7|aCriticism, interpretation, etc.|2fast|0(OCoLC)fst01411635
655 4|aElectronic books.
776 08|iPrint version:|aBanfield, William C., 1961-|tCultural codes.|dLanham : Scarecrow Press, 2010|z9780810872868|w(DLC) 2009036698|w(OCoLC)436358438
830 0|aAfrican American cultural theory and heritage.
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Staff View for: Cultural codes : makings of a Black musi